Rabu, 23 Januari 2013

[U372.Ebook] Ebook Download Pentatonic Licks & Sequences, by Dan Green

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Pentatonic Licks & Sequences, by Dan Green

The pentatonic scale is universal, regularly found in rock, metal, country, and blues styles. Its five boxes form the backbone of soloing and fretboard navigation for most guitarists.

A critical element to any player's "bag of tricks" is knowing how to take this "simple" scale and make it their own. "Pentatonic Licks & Sequences" shows you how, not only by providing dozens of cool sample licks from all five boxes, but by taking you through the process of really making the guitar your "voice."

Features:
The Blues Scale and the 5 Boxes
Vocalisms on the Guitar
Melodic Sequencing
Over 60 Tab Phrases!

  • Sales Rank: #237981 in eBooks
  • Published on: 2013-10-31
  • Released on: 2013-10-31
  • Format: Kindle eBook

Most helpful customer reviews

1 of 1 people found the following review helpful.
Better than many similar offerings in this category
By Amazon Customer
I have picked up many books for guitar on how to play chords, scales and leads from the top 100 free list and, although the information is good in most cases, the formatting leaves much to be desired on a Kindle. Many of the illustrations are too small and can't be zoomed without losing focus or there is writing on the guitar neck which obscures the information or...well, I think you get my drift.

This book scores well on its informational content and its writing style, but you still have a few hoops to jump through before the illustrations are 100% usable. You might try simply zooming each illustration to see if it becomes legible, which it might...if you have good eyes or don't mind hunching over your Kindle while you read and play. My preference is to set my Kindle to landscape and then zoom. I end up with illustrations which are easy and comfortable to read. The drawback is that you have to zoom each and every time you want to use another example. I don't understand why authors make us go through all this when it seems they could just make the illustration full-page size to begin with. Perhaps it is a problem with the publishing tools for Kindle.

In any event, let it suffice to say that with a little tweaking on your Kindle, you do get fully usable music examples with this book. That's a nice change.

I knocked off 1/2 star because it is a PITA to have to jump through these hoops over and over while using music-related books on a Kindle. This book however, is worth it.

4 1/2 stars for this excellent instruction manual.

0 of 0 people found the following review helpful.
Purple Tiger Series
By A. Hollis
I have read several ebooks from the Purple Tiger Guitar Series and continue to get something out of each reading. You are given exercises that get you up and playing without needing a lot of knowledge in music theory. Some knowledge of the major scales is recommended. The exercises are written in tab and an explanation of each exercises is presented before the actual exercise. The exercises can be used to improve fretboard knowledge and navigation as well as build technique and melodic ability, without extra study.

0 of 0 people found the following review helpful.
Five Stars
By William F. Korolsky
Everything as expected. Thank you.

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Selasa, 22 Januari 2013

[F179.Ebook] Fee Download Kidnapping the Girl with the Tattoos, by Alicia D Leddell

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Kidnapping the Girl with the Tattoos, by Alicia D Leddell

Adriana experienced a love that she could never let go of in middle school. The same love that brought happiness into her life, and pain into her heart. After she turned twenty-two years old she decided to go get that love back. All the while, the girl that she loved was still fully convinced that she wasn't into girls. Adriana hates this, and kidnaps a now twenty-one year old Keira, whose body has gotten more mature with sexy tattoos. Adriana plans to keep her and make her admit that she loves her, and if she doesn't comply she will just have to torture her into saying the truth.

  • Sales Rank: #5054524 in Books
  • Published on: 2015-12-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .17" w x 6.00" l, .25 pounds
  • Binding: Paperback
  • 68 pages

About the Author
Hello, my name is Alicia. I am a young woman who enjoys the excitement of writing. I love all genres, and will write whatever I am feeling at any time. I live in the state of Michigan. My favorite color is blue, and colored hair is my life! I have a cute, small dog whom I adore named Sparkle. I have been doing creative writing since I was in first grade and remember that I have always enjoyed it. Getting to create characters and a story line based off of your imagination and personal life experiences is the most amazing gift in the world. I wrote and finished my first book at the age of thirteen, but I have to admit that it wasn't one of my best works. Realizing that, I kept practicing and writing and at the age of fifteen years old I wrote and finished my second book that I am extremely proud of; Kidnapping the Girl with the Tattoos, and now I have published it on my birthday at the age of sixteen years old.

Most helpful customer reviews

0 of 0 people found the following review helpful.
It was okay.
By Amazon Customer
Not that greatly written. Maybe should have kept on wattpad. Seems like a writing of a 16 year old. But it was okay not worth any money

0 of 0 people found the following review helpful.
Three Stars
By Amazon Customer
It had a bit of a twist

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Minggu, 20 Januari 2013

[O334.Ebook] Fee Download Jung on Art: The Autonomy of the Creative Drive, by Tjeu van den Berk

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Jung on Art: The Autonomy of the Creative Drive, by Tjeu van den Berk

In this book, Tjeu van den Berk examines C. G. Jung's personal perspective on art and how his work intensely engages with this theme. It analyses Jung’s profound reflections on artistic considerations such as how we experience art, the specific qualities in the perception of beauty, the nature of the creative process and the aesthetic attitude.

Jung on Art considers Jung's feelings about art simply being 'art' rather than reducing it to a moral, political, religious or psychological product. It also discusses Jung’s notion that the artist is only a breeding ground for a piece of art, and once complete, the piece has an independent existence.

Topics covered include:

  • symbolism
  • the difference between art and aesthetics
  • Jung's ideas about himself as an artist
  • the psychology of art
  • Jung's perspective on modern art and surrealism.

This book will be of great interest to all Jungian scholars, as well as those interested in the meeting of Jung and art.

  • Sales Rank: #706609 in Books
  • Published on: 2012-03-22
  • Released on: 2012-02-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.21" h x .38" w x 6.14" l, .65 pounds
  • Binding: Paperback
  • 168 pages

Review
"... key concepts are set out in a clear and unambiguous manner within each chapter, with technical terms carefully and clearly explained in order to help frame the arguments presented... van den Berk has done an admirable job in extracting key material from the volumes published by Jung, in order to present a very clear exposition on the topic.�...A timely and important contribution to the field, I expect this book to become a key text for all those involved in the practice and reception of art viewed from a psychological perspective." - David Parker, International Journal of Jungian Studies, November 2012

About the Author

Tjeu van den Berk was director of the C. G. Jung Society of the Netherlands. He has written widely on Jungian psychology.

Most helpful customer reviews

6 of 6 people found the following review helpful.
Best on the topic
By Murray Stein
The Dutch scholar, Tjeu van den Berg, has written a brilliant summary of all that C.G. Jung wrote about art and the creative process that lies behind the making of art. More than that, he offers a coherent depth psychological theory of art based on Jung's writings. He is conversant with the secondary literature on this topic but does not rely on it. Rather, he bases his observations on the original writings of Jung and weaves them together into a coherent account. This work is highly readable by non-specialists and offers anyone interested in the creative process valuable insights. For the ordinary art fan and appreciator, it opens the eyes to deeper dimensions of seeing and understanding. If one is going to read only one book on this topic. this is the book to have.
Murray Stein, Ph.D.

1 of 1 people found the following review helpful.
excellent overview
By s. berger
I am fairly conversant with Jung and found this book to be a thorough overview of Jung's views on art in general. There is an analysis of abstract art in the last few chapters which are penetrating and though Jung did not like abstraction he made many penetrating comments on its relevance to the modern world. The reader will benefit if there is interest in Analytical Psychology.

1 of 1 people found the following review helpful.
Smart and needed
By Carol Cooper
Author collects Jung's quotes about art and gives an overview and a cogent analysis of how Jung's views compare with other philosophic aesthetic theories.

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Sabtu, 19 Januari 2013

[H358.Ebook] Get Free Ebook FLEXIBLE MANUFACTURING SYSTEMS IN PRACTICE, by ROGER BONETTO

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  • Sales Rank: #15339597 in Books
  • Published on: 1988-01-01
  • Format: Import
  • Original language: French
  • Binding: Hardcover
  • 250 pages

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Jumat, 04 Januari 2013

[R705.Ebook] PDF Ebook Chasing the Prophecy (Beyonders), by Brandon Mull

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The #1 New York Times bestselling Beyonders fantasy trilogy comes to a stunning and epic conclusion.

Jason and Rachel were not born in Lyrian. They did not grow up in Lyrian. But after all of the battles and losses, the triumphs and adventures, and most of all, the friendships forged in this fantastical world, Lyrian has become home to them in a way they never could have imagined.

And so, armed now with the prophecy of a dying oracle, they have gone on their separate quests—each surrounded by brave and powerful allies—knowing that the chance for success is slim. But Jason and Rachel are ready at last to become the heroes Lyrian needs, no matter the cost.

Packed with thrills, action, and drama, this third and final installment of Brandon Mull’s #1 bestselling Beyonders trilogy brings the series to a gripping conclusion.

  • Sales Rank: #79512 in Books
  • Published on: 2014-02-04
  • Released on: 2014-02-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.63" h x 1.40" w x 5.13" l, .75 pounds
  • Binding: Paperback
  • 528 pages

From Booklist
Jason and Rachel, teens who entered Lyrian by chance in A World without Heroes (2011) and stayed to fight for its inhabitants’ freedom from the emperor in Seeds of Rebellion (2012), now risk their lives to fulfill the prophecy that offers the only gleam of hope. Those who enjoyed the many action scenes in the previous books will find plenty here as well, though the characters also spend a good deal of time in reflection and conversation. The question of whether to trust the prophecy looms large. While this volume concludes the Beyonders series, Mull leaves the door open for another series set in Lyrian. Grades 5-8. --Carolyn Phelan

About the Author
Brandon Mull is the author of the New York Times, USA TODAY, and Wall Street Journal bestselling Beyonders and Fablehaven series, as well as the bestselling Five Kingdoms and Candy Shop Wars series. He resides in Utah, in a happy little valley near the mouth of a canyon with his wife and four children. Brandon’s greatest regret is that he has but one life to give for Gondor.

Excerpt. � Reprinted by permission. All rights reserved.
Chasing the Prophecy CHAPTER 1 ACOLYTE
Rachel�.�.�. help me�.�.�. Rachel, please!

Rachel awoke, clutching her covers. She sat up on the soft mattress. Shadows shrouded her bedchamber. The telepathic voice in her head was unfamiliar. The female speaker was not Corinne, and not Ulani, who had recently learned to transmit simple thoughts over short distances.

Who are you? Rachel conveyed with all her will.

Rachel! I can’t hang on much longer.�.�.�. Come now�.�.�. please hurry!

Despite the urgency behind the message, the mental outcry was fading. Rachel had worked with several of the acolytes on speaking in silence, but so far only Ulani had succeeded. Was it possible that in a desperate moment one of the girls had unlocked the ability? Rachel slept in the area of the temple set apart for the acolytes. They were all relatively near. Who else at Mianamon would be able to contact her like this?

Apart from the words in her mind, the night was still. No sounds intruded from outside her room. Mianamon was not under attack. So what was the problem?

Who is this? What’s wrong?

The words came weakly, the mental equivalent of a whisper. Kalia. Training room. I tried a strong command. Failed. I hurt all over.�.�.�. Don’t tell the others.�.�.�. Please help me.

Kalia. Rachel had trained with the acolytes for months. Most had only a hint of Edomic talent. None had a natural ability like Rachel, but Kalia was among the more promising. On more than one occasion Rachel had tried to teach her to speak in silence.

Hold on. I’m coming.

Speaking an Edomic word, Rachel lit a bedside candle, then rose and shrugged into her acolyte robe. Kalia must have slipped down to the training room in the night for some extra practice. She must have attempted something too ambitious and lost control of the command. Rachel knew firsthand how debilitating the consequences of a failed Edomic directive could be.

If Kalia could still find the strength to call out mentally, she probably wasn’t fatally injured. But that didn’t mean she might not feel like she was going to die.

Rachel spoke another command, igniting a clay lamp. Picking it up, she unlocked her door and stepped into the hallway.

Darkness awaited beyond her lamplight in both directions. Rachel was not accustomed to roaming the Temple of Mianamon after-hours. She and her friends had been here for the whole winter, but she had never walked these stone corridors when all was dark and empty. The familiar passage suddenly seemed ominous.

Still there, Kalia?

No response came. The acolyte could be unconscious. Or she might simply lack the energy to send another message.

Rachel passed several doors. No life could be heard behind them. No light seeped through the cracks. After rounding a corner, she reached the stairway that led down to the training room. Beyond the bubble of light from her lamp, all was silent shadow. Rachel knew that outside the section of the temple reserved for acolytes, she could find the human guards who protected their privacy at all hours. She also knew where she could find Jason, Drake, or her other companions. Or she could call out mentally to Galloran or Corinne.

But the painful experience of a failed command was best kept private. Kalia would not appreciate others seeing her in an injured, weakened state. Straightening her shoulders, Rachel started down the stairs. She arrived at the bottom and moved along a broad hallway.

The darkness retreated from her approach until Rachel reached the door to the main training room. It was slightly ajar. Rachel nudged it open and stepped inside.

“Kalia?”

A vehement Edomic command answered her inquiry. The words demanded that Rachel hold still. As requested, her muscles locked up, leaving her temporarily immobilized.

Rachel knew this command! The acolytes of Mianamon practiced an Edomic discipline that enabled them to issue directives to people. Upon her arrival at Mianamon, Rachel had known how to use Edomic to get some animals to heed certain instructions, but she had never guessed that she might be able to use similar tactics on humans.

Commanding inanimate matter with Edomic was straightforward—all matter and energy understood the language. You simply needed to accompany the proper words with enough focused willpower to demand compliance. If you tried to accomplish too much, you would fail and face a backlash of physical and psychic traumas.

With animals it was trickier. Edomic did not work well on living things. Instead of compelling animals, you had to make suggestions that they could either heed or disregard. Ask too gently and the animal would ignore the directive. Push too hard and you risked the consequences of a failed command.

Humans were even more complicated. You couldn’t really use Edomic on the mind. You couldn’t implant a complex idea. It was more like speaking to the spine, suggesting a reflexive response that the mind would counter once it caught up. Rachel now knew roughly fifty suggestions that might work on a human, most of them at the level of dog commands: stay, lie down, turn around, jump. In a moment of distress, Rachel knew, the ability to cause an enemy to temporarily freeze or flop to the ground might prove very useful.

Rachel had practiced this discipline for months. None of the acolytes could match her skill at it. For instance, most of the girls could not demand any form of compliance from Ulani, but Rachel could freeze her with a word. Conversely, even the most capable acolytes couldn’t make Rachel do much more than twitch.

Except now she couldn’t move!

The command had been uttered with power and expertise. It held her like no command had since her first day of training. Was her guard down because of fear? Sure, she was scared, but she was resisting the mandate the same way she had practiced. It just wasn’t working.

Rachel heard another muttered command. A black metal spike streaked toward her chest, gleaming in the light of her lamp.

Rachel still couldn’t move. Instead, she spoke in silence. Rachel had lots of practice moving physical objects. She telepathically ordered the spike to hold still. It stopped just over a foot from her chest, quivering in midair.

More words issued from the shadows beyond her lamplight. A robust will contended with hers, inching the spike toward her. Rachel had regained control of her body, but she didn’t want to advertise her recovery to her enemy. Instead, Rachel bore down and pushed the spike away. The will of her enemy broke, and the spike went sailing into a wall.

Rachel knew the location of many torches, cressets, and lamps in this room. With a word she illuminated several at once. The light displayed Kalia charging toward her, a knife in one hand, a long needle in the other.

Rachel commanded Kalia to fall to the floor. The acolyte obeyed, losing hold of her knife. Kalia tried to compel Rachel to freeze again. The expertly phrased directive worked for a fraction of a second, but Rachel was ready this time, and promptly reasserted control. She then countered by commanding Kalia to be still.

“What are you doing?” Rachel spat.

Kalia remained immobile for barely a second. The girl rolled over and looked up, red spittle leaking from one corner of her mouth. Rachel realized that when Kalia had lost control of the spike, the resulting failure must have injured her.

Kalia growled a command, and the knife darted at Rachel. Ducking to the side, Rachel seized control of the knife and put it to the throat of the acolyte. Holding it there took great control, but Rachel had practiced manipulating physical objects more diligently than any other Edomic discipline.

“Why?” Rachel demanded, panting.

Kalia spat blood. Sweat dampened her face. Her feral eyes were panicked and angry. Kalia was among the younger acolytes. Although she looked to be in her twenties, she was actually closer to fifty. Acolytes employed routine Edomic meditation to slow the aging process.

“Why?” Rachel repeated.

Kalia spoke a command, trying to seize control of the knife, but Rachel countered with a stern mandate, and Kalia’s effort dissolved, crushed by a superior will. Rachel angled the knife away as the acolyte doubled over, writhing in pain. The failed commands were taking a heavy toll.

“When did you get so good?” Rachel demanded. “You never moved objects.”

I never spoke in silence, either. The furious words burned in Rachel’s mind. He should have given the order earlier, before you had so much training. I could have taken you when you first arrived. I know I could have!

Who ordered this? Rachel pressed.

Use your imagination, Kalia communicated, her rage diminishing. My only solace is that he’ll get you yet. I chose the winning side. He asked too much of me at the wrong time. Bad for me. But it won’t save you. Mark my words. He’ll get you all.

You work for Maldor?

He’ll kill every last one of you!

Galloran burst into the room, his blindfold off, his torivorian sword drawn, several treefolk and human guards following in his wake. He looked from Rachel to Kalia. I sensed a great deal of Edomic in use.

Kalia jabbed the long needle into her thigh.

What have you done? Rachel asked.

Another inane question! How does such a simpleton access so much power? It’s infuriating! It’s disgusting! Kalia began to convulse. Red foam frothed from her lips.

“She tried to kill me,” Rachel explained, turning away in horror and disgust.

Galloran took her lamp, set it aside, then wrapped his arms around her. Rachel felt embarrassed that he must feel her trembling. But she was not embarrassed enough to reject the comfort. I’m so sorry, Rachel. I never would have guessed Maldor could have planted an assassin at Mianamon.

Where can’t he come after us? This is the one place in Lyrian where I felt safe!

The sad truth is that no place in Lyrian is secure anymore, no matter how remote. And the problem will only worsen. We’ve been planning to leave soon. Let’s make it tomorrow. We have stood still for too long.

Rachel clung to Galloran, wishing she could disappear. Kalia had set a trap and tried to kill her!

A man covered from head to toe in moss brought the knife and the iron spike to Galloran. “Both poisoned. Giantsbane. Just like the needle.”

“Later,” Galloran said. He waved a hand. “Leave us.”

The men and treefolk exited the training room.

“I’m so sorry, Rachel,” Galloran said again, still holding her.

Rachel felt bad for the amount of pain in his voice. “It wasn’t your fault. Thanks for coming so quickly.”

“I was a fool for allowing you to room so far from the rest of us. I should have foreseen this possibility. Thank goodness you saved yourself. I could feel the strength behind her commands. This traitor was no novice. I did not know that any Edomic adepts of her ability remained. She must have hidden here for a long while.”

“More than thirty years,” Ulani said, entering the room. She glared bitterly at the fallen acolyte, then shifted her attention to Rachel. “Are you all right?”

“I’m all right,” Rachel managed. “It’s all right.”

Galloran continued to hold Rachel close. “Maldor must have known we were preparing to leave. He wanted to strike before we departed.”

Rachel scowled a little, pulling back from the embrace. “Why didn’t the oracle know about her? Why didn’t Esmira see this coming?”

“I wish she had,” Galloran said.

“I never sensed any evil in Kalia,” Ulani said. “Nor did I perceive unusual power. Potential, yes, but unrealized. Perhaps Kalia knew how to shield her mind from scrutiny. Perhaps Maldor only got to her recently. We may never know. Esmira saw many things, but I can’t imagine she spent much time looking for traitors among us. We were too isolated, too united against the emperor and all he stands for.”

“He tried to kill me,” Rachel said in a small voice.

After a final hard look at the body on the floor, Galloran tied his blindfold in place. Apparently, he didn’t want any more details to reach Maldor through his displacer eyes. “Maldor would have rejoiced at your death. But he has some idea of your abilities. He should have recognized that this Kalia, although talented, was probably not up to the challenge. This attack may have simply been a test.”

Rachel huffed softly. “Rough test.”

“Maldor knows no gentle games.” Galloran put an arm around her shoulders. “Try not to let this rattle you. Take solace that you rose to the occasion. Thankfully, we’ve kept the details of the prophecy from all at Mianamon save Ulani. Even so, Maldor knows exactly where we are and may have deduced some of our intentions. As we embark on our quests, we’ll all have trials to face in the coming days. I fear this is only the beginning.”

Most helpful customer reviews

10 of 11 people found the following review helpful.
Gah!!
By akky3210
I haven't written a review in a while. In fact, when I look back on my reviews, they make me want to gag because they're so badly written. But that's besides the point--I couldn't NOT write a review for this book. I just...couldn't.

I bought A World Without Heroes the very day it came out. I bought Seeds of Rebellion the very day it came out. So it should come as no surprise that I bought this book the day it came out, and finished it that day too. And now it's been a week. And I've been spinning this book and this review and this series over and over in my head, and I can't not write a review. So, without further ado--

First things first: this book is DARK. Like, freakishly dark. As in, Mull probably could've--SHOULD'VE--gotten away with making his characters more like 17 or 18 than 13. (13!?) This book was definitely more Young Adult than Middle Grade. I felt that about the first two books as well, so it should come as no surprise that this book was essentially a punch in the gut emotionally. We go into the dang book knowing that--what was the phrasing--"the road to victory is paved with the blood of heroes"? We KNOW that.

About 40% in, I got really afraid Mull wouldn't kill any of my favorite characters. I had gone into this expecting some heavy-hitting, and I truly began to fear that we'd have lots of dead drinling spear-holders, but no one who we truly CARED about. I was wrong. Yeah. Lots of characters--BELOVED characters--are going to die. :(

But it doesn't make the characters growth and death and relationships less real or painful.

And ugh, the characters--Nedwin! Ferrin! (ah, Ferrin...) Tark, Rachel (Rachel!) Jason, Galloran, Drake--Jasher--Farfalee--Aram!! They are SO real. I find myself looking back at the book, wondering where they are now--are they laughing? are they crying? whatever happened to *I can't tell you because it would ruin the ending*?

This book was SO intricately done. Not intricately plotted, but intricately done. I am incredibly impressed with how Mull brought every single thread together in order to work this conclusion. The passing mention of "These Short Lives" in the Repository of Learning? The drinlings. I can't say any more--spoilers!--but I can say I am incredibly pleased with how this tapestry came together. I loved to see how this complex web of relationships and sacrifice and love was woven. And we got four--FOUR--chapters, plus a prologue, from Nedwin's POV, which had me LITERALLY doing a jig in my bedroom (not a good sight, I assure you)

And I think that what hit home about this book, to me personally--the power of LOVE against evil. The power of loyalty and honor getting us through the most difficult places (I'm lookin' at you, Nedwin!). The power of hope, and sacrifice, and belief in what seems the remotest chances, and...just...AGH! The emotions in this book are SO REAL, the grief is dealt with SO WELL, the conflicts are SO VITAL...

And the way the quests finally weave together--the influence they have on each other--the secret we discover at the end is so real and beautiful and PERFECT and unexpected and how-on-earth-did-I-miss-that and surprising and just...I couldn't stop laughing. I was truly afraid that whatever Jason set off to discover would be stupid or pointless or--worse--some random tidbit of information that totally turned the tide of the war with no PAIN behind it. Well, it was kind of that last one. I think readers will have a love-hate relationship with it, but it was still perfect.

I do have some complaints, of course. I feel like the ending was a bit abrupt, and I wish we had more of Jason's POV at the very end then we did, since he was the protagonist of the first novel. (I have my own opinions about the protagonists of the 2nd book and this one, but that's for some other time.) I felt that Jason's quest was never really concluded, even though we got what we were looking for. And I felt a little down about the way it finally, finally ended, though this epilogue was truly brilliant.

And that leads to my final question, dear readers-who-have-dug-through-my-awful-review. Is this story a tragedy?

I don't know.

Yes, good ultimately wins (because it's fantasy, after all, and if that's a spoiler to you then you need to read a different review (and I mean that as a jest)). Yes, evil is vanquished. BUT... at a cost. A tragic, beautiful cost.

And is this novel, this saga, a tragedy?

I still don't know. But it IS--I assure you--definitely, DEFINITELY worth picking up. Fablehaven is...nothing...compared to this. This, I think, is literature.

This is literature.

7 of 8 people found the following review helpful.
oh my god!!!!!!
By Thomas
This book was amazing i just wish there were more books in this series. I have followed this series from the beginning to the end. I wish the ending hadn't been so sad. :( but i thought it the book was well, in a huge understatement wonderful.

6 of 7 people found the following review helpful.
Very high quality fantasy
By Chad
I'll start with the cons (not too much). The Beyonders series is not quite Fablehaven, but it is very good nonetheless. The characters in Fablehaven are much more stronger than the characters in Beyonders. There is a ridiculous amount of characters in the Beyonders series, and most of them don't have much of a personality, especially Jason and Rachel. They aren't strong main characters, but the large pool of secondary characters make up for them. Also, as is standard with medieval fantasies, the characters talk in a more sophisticated manner than in other books. This shows quality writing to me, but I guess it can seem a little overboard sometimes.

I think this is one of the best books I've read in awhile. I almost completely forgot what has happened in the previous two books... Yet it didn't matter. The story is very gripping, and Brandon Mull has created an entire universe comparable to Lord of the Rings. The plot isn't necessarily original, but that doesn't matter. Brandon Mull has plenty of creativity and action in this series. Brandon Mull's writing is very high quality, this series is highly suggested.

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Kamis, 03 Januari 2013

[O886.Ebook] PDF Ebook A Universe From God: The True Origin of the Cosmos, by Robert Clifton Robinson

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A Universe From God: The True Origin of the Cosmos, by Robert Clifton Robinson

A Universe From God: The True Origin of the Cosmos, by Robert Clifton Robinson



A Universe From God: The True Origin of the Cosmos, by Robert Clifton Robinson

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A Universe From God: The True Origin of the Cosmos, by Robert Clifton Robinson

According to a few noted theoretical physicists, the universe came from nothing, for no reason, with no purpose. Is there a rational basis from science to believe such as statement, and is this theory factually based? In simpler terms, do you believe that your family, your loved ones, and human life, have no reason or purpose?

This book details the evidence that is presented to us from the universe itself—which fully supports a valid conclusion that all that exists, does so for a reason. When we examine the framework for the universe and what was necessary to cause it to come into existence in the first place, the conclusions are both stunning and conclusive.

The evidence for God as the source of the universe is staggering. There are many noted scientists, cosmologists, physicists, and mathematical physicists who followed the evidence where it has led and concluded that an eternal and unlimited mind is the only rational explanation for the existence of the universe.

The Creator of the Universe designed His creation so that His invisible attributes (order, design, beauty, grace and love) can be clearly seen by the things that He has made. The Lord designed the Earth and the Heavens in such a way that any logically thinking human being would come to only one conclusion: “We have a beautiful, intricately designed, perfectly balanced and ordered Universe; we must have a Creator.”

Romans 1:19-20 …because what may be known of God is manifest in them, for God has shown it to them. For since the creation of the world His invisible attributes are clearly seen, being understood by the things that are made, even His eternal power and Godhead, so that they are without excuse.

First: God created each human being with an inner awareness that He exists.
Second: the evidence for God’s existence is known by the things that we can see all around us—creation (being understood by the things that are made).

God is a necessity: There no rational explanation for the existence of the universe outside the reality of a transcendent being, who possesses unlimited knowledge and power. Every thinking person on this planet understands that all things which have a beginning, have a cause. This would of course exclude God, since He is eternal and has no beginning.

A universe as vast and complex—yet clearly ordered, balanced, and calibrated to make life possible, must have a source that is infinite and eternal. Scientists know today that life on earth was made possible because of the precise manner in which the universe began. Had it not formed in a specific way, no life would have been possible on earth nearly 13 billion years later.

A finely tuned universe designed for life: The argument for a finely tuned universe is the most compelling evidence to prove the existence of God, because it demonstrates by science and mathematics that an intelligence is behind the universe. Leading atheist and author of “The God Delusion,” Professor Richard Dawkins admits that a finely tuned universe is a “wholly respectable reason for believing” the universe was created:

“There may be good reasons for believing in a god, and if there are any I would expect them to come from possibly modern physics, from cosmology, from the observation that (as some people claim), that laws and constants of the universe are too finely tuned to be an accident. That would not be a wholly disreputable reason for believing in some form of supernatural deity.”

The reality that the universe exhibits design characteristics which are only possible by intelligence, demands a rational answer. Science is able to tell us the mechanics of how the universe exists but it cannot tell us why it exists. To this end, only the One who made all things can fully satisfy our need to know and understand why we are here and what our purpose is.

  • Sales Rank: #1200001 in eBooks
  • Published on: 2013-12-21
  • Released on: 2013-12-21
  • Format: Kindle eBook

Most helpful customer reviews

1 of 2 people found the following review helpful.
Every System Is a System
By Confederate
This book, if not the first, is one of the first to use the wonders of what scientists call "The Big Bang" and attribute it to an intelligent act. Even so, the title, A UNIVERSE FROM GOD, probably would have been more accurately titled, THIS UNIVERSE FROM GOD. What Pastor Robinson has done is take the wealth of modern knowledge gleaned by the world's greatest astrophysicists, geologists, quantum physicists, mathematicians, cosmologists and other scientists, and combined their knowledge with that of Bible scholars to show that The Big Bang was not an extemporaneous act of nature, but one of an immensely intelligent, powerful, and eternal Creator.

The Big Bang is certainly the greatest display of both power and order ever detected by man. And it's given him much to ponder, especially when science has witnessed the aftermath of the greatest, single display in the Cosmos.

But I suspect the author has set his sights a little low. People always assume that this great universe is all there is. It wasn't until 1924 that we humans learned that the Milky Way Galaxy was only one of millions upon trillions of other galaxies in our universe. It fit into what I'd heard read from a very ancient document which read in part: "All systems are systems in the midst of like systems." It struck me as profound then and I've never forgotten it. But it also taught me to never stop expanding my mind. So who's to say that this universe is the only universe in existence? If our universe has some 300 sextillion stars, and a sparrow can't fall on any of them without the Lord knowing it, think if this universe was only one of billions upon billions of other universes?

Ancient writers somehow knew these things before modern science, and if there are so many universes in existence, then does ONE God govern all of them or are they each governed by their own Creators -- Creators who are peers of God? Like begets like, we are told, and all of us are called the "children of God." If Jesus was resurrected and is in the "express image" of the Father, and we are the sons of God and co-heirs with Christ, who is it that can assist in carrying out these administrative...and perhaps a more hands-on experience?

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