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Frank Borzage: The Life and Films of a Hollywood Romantic, by Herve Dumont
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This work brings to readers of English a comprehensive and engaging treatment of one of America's greatest, if largely forgotten, film directors. Dumont's celebrated 1993 study, translated from the French by Jonathan Kaplansky, offers complete coverage of Borzage's entire career--the more than 100 films he made and the effect of those films on movie audiences, especially between 1920 and 1940. Lavishly illustrated with 120 photographs, the book also contains a complete filmography, a chronological bibliography, and an index.
- Sales Rank: #3133198 in Books
- Published on: 2009-01-21
- Original language: English
- Number of items: 1
- Dimensions: 9.80" h x 1.20" w x 6.90" l, 1.65 pounds
- Binding: Paperback
- 428 pages
From Booklist
Film buffs know Frank Borzage (1894-1962) as Hollywood's great romantic. As Martin Scorsese notes in the forward to this translation of a 1993 French monograph, there's not an ironic moment in any Borzage picture. His career apogee came early with the sublime 7th Heaven (1927), and his sound career included such triumphs as A Farewell to Arms (1932) and The Mortal Storm (1940)--in which even death couldn't end the love between couples Gary Cooper and Helen Hayes, and James Stewart and Margaret Sullavan, respectively. Although Dumont fills most of the book with synopses, production accounts, and critical assessments of particular films, most of which are seldom screened these days, the biographical details he offers reveal that Borzage was, despite an alcohol problem, as sweet-natured and warmhearted as his work. As post-World War II tastes shifted, Borzage's stock declined so that few but hard-core cineastes remember him. Dumont's authoritative, insightful volume is indispensable for rediscovering one of cinema's greatest and now undeservedly neglected artists. Gordon Flagg
Copyright � American Library Association. All rights reserved
Review
"One of the most exceptional works on a Golden Age director that I have ever read. The authors excels in covering all of Borzage's films...thorough biography...should stand as a model for future film historians" --The National Board of Review.
About the Author
Herve Dumont is the director of the Swiss National Film Archive (Cinematheque Suisse) in Lausanne, Switzerland, and is the author of several works on film history. His History of Swiss Cinema (Lausanne 1987) earned the Jean Mitry Award, and Frank Borzage, Sarastro a Hollywood (Paris-Milan 1993) received the Prix Simone Genevois, awarded to the best European film book of the year. He lives in Lausanne. Jonathan Kaplansky works as a literary translator of French in Montreal. His translations include novels by Helene Dorion, Pauline Michel and Helene Rioux, poetry by Serge Patrice Thibodeau, a journal by Annie Ernaux, and several biographies of historical and political figures. His articles have appeared in Palimpsestes and Circuit.
Most helpful customer reviews
11 of 12 people found the following review helpful.
Pretty Darned Impressive...
By An American in China
When film lovers and critics talk about a director with a definite-yet-indescribable style, they usually talk about "the Lubitsch touch". Yet, during my first semester of film school, my professor showed our class the visual and rhythmic devices that Lubitsch used to create his touch. Frank Borzage, on the other hand, truly has a definite-yet-indescribable touch to all his films. And this book describes, analyzes and unites the director's work and life in a very impressive and interesting volume.
There are some flaws, mainly having to do with the author (a Swiss academic) writing about Hollywood. For instance, there are some lengthy phrases used to describe aspects of film-making that could be described better (and more accurately) by movie industry terms. Also, in writing about Borzage working at Warner Brothers, he confuses the 2 addresses of that movie studio: during the Depression Warners was on Sunset Blvd in Hollywood, but by World War II they had moved to the town of Burbank. Dumont keeps referring to Warners Studios on "Sunset Boulevard in Burbank" and no such thing exists.
Still, my hat is off to this book, which crystalizes the thoughts and philosophy of one of the great artists of motion pictures.
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